DJ Feature:
Nina Sol
BIO
Nina Sol, a nod to her Afro-Latina heritage & warm and sunshiny disposition, delivers a genre-bending soulful sound that resonates with audiences locally and across the globe. A vinyl enthusiast that traverses time and texture, Nina's insatiable curiosity for music discovering keeps her sets fresh and unexpected. Currently based in Oakland, Nina holds monthly residencies at Constellations, a party dedicated to past and present artists born under the zodiac sign of the month, and Elements throwing down underground dance music alongside soulful house DJ veteran, Patrick Wilson. She has played with artists including DJ Spinna, Solange, Rich Medina, Natasha Diggs, Pete Rock, Moodymann, Jose James, Bugz in the Attic, and many others. Sol has contributed to music sites such as Music is My Sanctuary and mainstay parties namely thePeople, Soul in the Horn, Jump N Funk, Makossa Brooklyn, Motown on Mondays, & Black Weirdo. Nina Sol brings a profound energy to dance floors while spreading messages of justice, freedom, and love.
Listen to Nina Sol’s Series Shift all 7” vinyl 45s mix:
Tell us a little about yourself, where are you from? Where are you based now?
Born in Washington D.C., grew up in San Diego, i have been in Oakland/Bay Area since 2004.
How long have you been collecting records, djing, etc?
I have been obsessed with music since i was 10, but I started playing records in public around 2007. I had a Tuesday Soul night at Skylark in the Mission District in San Francisco, and that's where it all started.
First record? Gifted or bought?
Hmm, my first record was probably a Michael Jackson album or the Pink Panther soundtrack. My Mom used to play Stevie Wonder's Happy Birthday on everyone's birthday, so Hotter Than July is a special record that I have carried with me.
What are your favorite spots to go digging and why?
In the Bay, I would hit up Amoeba, Groove Merchant, and Rasputin records. Fault Radio does a good annual record swap where dealers and other DJs sell and I have walked away with goodies. Human Head in Brooklyn is another favorite, so many gems and good folks. My favorite thing in life is to travel and go digging. You learn so much about a place by visiting the record shop or market. I find the most interesting records, meet cool people and learn the history and flavor of a place. Records are my favorite way to remember a place. I included a few records in the mix that I have picked up while traveling in Latin America, South Asia, Europe, and Africa.
“In a mind-numbing, fast-paced society, playing a record actually slows down time, it demands that you focus on one thing at a time and savor the experience.”
Can you tell us a little bit about the mix you’ve put together for us (where it was recorded, the vibe, etc.)?
It was a fun challenge to record an all 45 record mix. I don't have a huge 45 collection, so I had to figure out how to weave together new and vintage records with different sounds and textures. I am drawn to records that sound like a real life jam session, full of frantic shouts, spontaneous cowbell & tambourines, and just gritty, high energy FUNK. They tend to be the "B sides" with extended breaks that sound like a small snippet of an hours long studio session. So you will hear that, I recorded it in my home studio and was pretty much dancing through most of it. The vibe is spiritual funky party music with a dance floor energy that will transport you across geographical space and time.
Top few favorite records to play on the regular?
Lonnie Liston Smith's Expansions is a timeless, transformative record that I could listen to forever. I adore spacey cosmic jazz like Alice Coltrane, Mizell Brothers, Dorothy Ashby, Donald Byrd, etc.. I am also a big house head, so you will always hear some Blaze, DJ Spinna, Moodymann, Fela and Manoo in my sets.
How do you see the music you play and djing as a whole impacting the broader audience of today’s music listeners?
I think music is a healing force and I take that responsibility seriously. The right record, artfully presented, can lift spirits and shift consciousness. I can recall listening to certain hip-hop records from the early 90s that infused knowledge of self and Black pride that educate you while entertaining you. Even the Black Panther Party had a house band called the Lumpen, that would remix popular music with revolutionary messages as an organizing tactic. I think we are seeing how DJs and dance culture can intersect with other movements for liberation, we can move the audience from passive listeners to inspired activists, we can shift hearts and minds through this music, it's powerful.
Tell us an interesting story about a 45 in particular.
A few years ago, I was invited to play Bobbito's "Rock Rubber 45" Film Screening in Oakland and he requested an all 45 record set. I was expecting just an hour opening set, but that turned into 4 hours and Bobbito and I ended up playing record for record. It was super dope. He gifted me a Rock Rubber 45 and I started collecting more 45s after that.
What do you think or what do you hope for the future of vinyl and djs playing records?
I believe playing vinyl records is an art form that will live on. I am seeing new generations of vinyl-only collectives embracing the culture and sampling will always fuel that desire to dig. In a mind-numbing, fast-paced society, playing a record actually slows down time, it demands that you focus on one thing at a time and savor the experience. As long as the records get passed down, I think it will satisfy a curiosity that digital music alone cannot.
What has been one of the most memorable sets or parties you’ve played?
In the past year, my most memorable sets have been virtual from my home! The pandemic has broken down borders so I have joined amazing line-ups for DJ Spinna, Jihad Muhammad, & Natasha Digg's Birthday Jam! Being invited to play with literal heroes of mine, inspiring DJs from across the country, with a global audience, has been unbelievable. I feel like I have been able to find my musical tribe scattered all over the world. This is a crazy moment in time, obviously for so many reasons, but as a DJ I am blessed to be able to keep creating and connecting with folks through the music.
What is something you want a listener to walk away from this mix or you playing live and think or feel?
I hope this mix inspires contemplation and embodied movement, shaking yo ass is medicine for these times.
Nina Sol Series Shift Track List:
Five On The Black Hand Side- Keisa Brown
Elevate Your Mind- Linda Williams
The Pink Family - Don't Give Your Life Away
Joyous- Pleasure
Happy Music- The Blackbyrds
Don't Tell Me Later Girl- Yellow Sunshine
Thighs High (Grip Your Hips & Move)- Tom Browne
Catch You Slippin- E.Live feat Baskerville Jones
Didn't Mean To Turn You On- Moniquea
Last Night A DJ Saved My Life Featuring Anané & Tony Touch- Louie Vega
Scorpio Love- Dick's Beat Market
Release Yourself- Aleem
Rude Movements (Kenny Dope Dancefloor Powder Remix)- SunPalace
Opposite People- Fela Kuti And Africa 70
Keleya- Moussa Doumbia
Funky Nassau Pt II -The Beginning Of The End
Ali Bombaye (Zaire Chant) I -Mandrill, Michael Masser
Gumbo- Cortijo Y Su Maquina Del Tiempo
Yo Vivire- Gloria Gaynor
Selina- Saimon & The Soft Touch
Oud Talud Bump- Soonthorn Sudjaridchan & The Oriental Funk Band
Family Tree- Family Tree
Say It Loud (I'm Black & I'm Proud)- James Brown
Love & Happiness- Earnest Jackson
Two Nights In Tunisia- Chaka Khan
Rico Suave Bossa Nova- Jay Dee
Zanzibar- Sergio Mendes & Brasil '77
Expansions- Lonnie Liston Smith
Can't Help It -Mark De Clive Lowe & Lady Alma